Women behind the lens

III

Exhibition

Blazing Editions and YJ Contemporary are proud to commemorate Women’s History Month this March with an exhibition that honors and celebrates the outstanding photographic accomplishments of women. This remarkable collection features a diverse selection of women across North America, each with a distinctive photographic style and genre. Through these stunning and powerful images, viewers can experience a dynamic exhibition that is both serene and exciting, as well as visually captivating and intellectually stimulating, revealing the vision and talent of the female photographers behind the camera.

We cordially invite you to discover more about the individual female photographers who have contributed to this event and appreciate their unique perspectives on the beauty of the world around us.

Penny Ashford • Tori Gagne • Laura Jane Petelko • Marisa S White • Molly Wood

Video

Interactive Tour

Penny Ashford

Known for her underwater camera work that transforms the traditional horizon line into a fluid moving plane that upends expectations, in the past few years, Ashford has experienced her own upending. On a journey to Antarctica to explore the interplay between water and ice, Ashford came face to face with the effects of climate change.

 Eager to capture the beauty as a call to action, Ashford's work took on new meaning and urgency. She traveled to the North Pole and later to the archipelagos of Svalbard where she witnessed the dramatic effects of melting polar ice. This new work also explores abstract forms with biomorphic structure and composition, capturing these floating polar jewels before they disappear.

On her most recent expedition, she hoped to photograph baby polar bears. On a trip to the Arctic one year ago, she saw thirty-three polar bears, some healthy, others gaunt. One year later, she only saw six, one of them alone on a small island, climbing a mountain to eat a bird and its eggs - not normal polar bear behavior, but the actions of a species desperate to survive.

Despite the shock of this devastating loss of ice and habitat, Ashford's overarching message is one of hope and beauty. Just as her subjects transformed her everyday actions to those that sustain life, she hopes that her photographs empower viewers to see themselves as stewards of the earth, that they, too, take positive action to preserve the great beauty of our planet. 

Ashford graduated from Mount Holyoke College and studied at the International Center for Photography in New York. Her work has been exhibited at the Page Bond Galley, Richmond, VA, Artful Living, Washington, DC, the Newport Art Museum, Coleman Center of Education, Newport, RI, Cade Tompkins Gallery, Providence, RI, and The Antique and Artisan Gallery, Stamford, CT, Jessica Hagan Fine Art and Design, Newport, Rhode Island as well as galleries throughout New England and the Mid-Atlantic.

TORI GAGNE

Tori Gagne was born in Minneapolis, Minnesota. She earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. She has a retired off the track thoroughbred who has led her deeper into the magical world of the horse leading her to devote much of her work to photographing equine subjects. She has a special affinity for wild horse photography and is happiest on a dirt road in the western states seeking herds of wild horses to photograph advocating for them through her work. Her equine images celebrate the magical world of the horse, she feels there is something very special and spiritual about standing in the high desert in complete silence experiencing the vast western landscapes, the land of our beloved wild horses who are under threat from multiple pressures.

The images in Women Behind the Lens lll are inspired by the imperiled wild horse population and Tori’s affinity for the natural world through her previous career in garden design. Using original images of wild horses, the natural world, in camera movement, multiple exposures and digital composite techniques she creates impressionistic photographs celebrating the unique, delicate and imperiled beauty of the natural world.

Tori has exhibited her work nationally and internationally. She has received international awards for her work and has work in private collections nationally and internationally. She currently resides in Orono, MN. A portion of proceeds from her work is donated to organizations involved in the protection of wild horses and education about the plight of the wild horse population in the western US.

Laura Jane Petelko

Laura Jane Petelko is a Canadian photographer and full time artist, known for her emotive and painterly approach to photography.

Having completed 7 solo exhibitions, Laura Jane's work often employs a painterly approach to photography, which is produced in camera to selectively reduce information and enhance the elemental and evoke the emotional aspects of the work.

Her 2022 series Phototropic is a natural evolution from her previous series MA , which was photographed during the pandemic lockdowns in collaboration with dancers from the National Ballet Of Canada.

Phototropic explores emergence. The beauty and struggle of all life to seek the light, to grow and become new. This work combines the human and botanical forms in a playful way. Using three colour variations to create varying emotional resonance.

Her work is represented by Cavalier Galleries, The Christopher Hill Gallery and Virgil Catherine Gallery in the US. Her pieces are collected throughout Canada, The US and Europe.

 She has been featured in Park Magazine, The Art Newspaper, Vie Des Artes, Adbusters, A&M music, DoubleDay Press, Anansi Press and Western Living. 

Marisa S White

Through thought provoking imagery, Marisa S White creates surreal and fantastical narratives that reflect the essence of life, human connections, and our place in the universe.

Hailing from Houston, Texas with The Menil Collection and the MFAH in her backyard, Marisa was heavily influenced by the Surrealists. She’s best known for seamlessly stitching multiple pieces together, incorporating dream-like scenes to hyperbolize an idea or an emotion not so easily conveyed with words. 

Initially a mixed media collage artist, she received her BFA at the University of North Texas. Through her studies, she fell in love with the camera and fully transitioned to photography after a summer in Missoula, Montana at the Rocky Mountain School of Photography.

Marisa has received numerous accolades for her art, has exhibited across the US and in Europe and is collected internationally. Most notably, she was featured at the Crocker Art Museum in Sacramento, California. 

Her recent exhibits include Context Art Miami, The Other Art Fair in Dallas, Saatchi Art Visions of the Future, Crocker Kingsley and the NY Art Expo. She’s also been featured in Surrealism Today, Manifest International Photography Annual 2021, Colorado Springs Lifestyle Magazine, and The Debutante - a feminist-surrealist art magazine.

She currently resides in Colorado with her husband of 10+ years, whom she fondly refers to as Captain Awesome, and their two fur babies.

Molly Wood

Molly Wood spent most of her life in the southern United States where she earned a BS in photojournalism from TCU (Fort Worth, Texas) and a master’s degree in Art History from SMU (Dallas, Texas). After living outside of the US in Austria and Canada, she moved to the Midwest and has been based in Des Moines, Iowa since 2007.

When not shooting her own imagery, she works as a producer of large commercial photo shoots for Better Homes and Gardens products. Wood's large-scale photographs can be seen in the permanent collection of the Sioux City Art Center and the corporate collections of J.P. Morgan Chase, Principal Financial, Bankers Trust and Farm Bureau.

In 2018, Wood was one of five Iowa Arts Council Fellows and completed an artist residency at the Alnwick Castle Poison Garden in Northumberland, England in the summer of 2019 where she worked on parts of her Fatal Flora series. The collected work from this project were shown in solo museum exhibitions in Iowa at the Dubuque Museum of Art and the Sioux City Art Center.

In my large color photographs, I use botanicals as metaphors for human experiences. Throughout history, women have used plants to tap into their own power – for sustenance, for healing, for spiritual experiences, as a gateway into scientific study and art academies and on occasion for poisoning and witchcraft.

My most recent series, Fatal Flora, relates to toxic relationships and uses plants that can be medicinal or poisonous as symbols of the contradictions within human connections where a connection with the same person can be seductive and supportive at one stage and turn harmful when things become out of balance.

I believe that botanicals can be used as symbols for the natural cycles of life, death, and rebirth as well as the complexity and duality of experiences in life that can be part healing and part toxic. In growing and handling these dangerous plants throughout their growth cycles, I am studying their seductive beauty as well as taming and controlling their deadly potential.
— Molly Wood
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Women Behinds The Lens II

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Women Behind The Lens IV